Those of you who want a translation of the Poem 'Zindagi se darte ho' by Noon Meem Rashed, I am posting a translation along with the poem. This isn't the complete Nazm but only the portions that we have used in the film Peepli Live. Go to Rashed's work and have a life changing experience.
Zindagi se Darte ho
Zindagi se darte ho (4)
Zindagi to tum bhi ho (2)
Zindagi to hum bhi hain
Aadmi se darte ho (2)
Aadmi to tum bhi ho (2)
Aadmi to hum bhi hain
Tum abhi se darte ho
Aadmi zabaan bhi hai
Aadmi bayaan bhi hai (2)
Harf aur maani ke rishta haaye aahan se
Aadmi hai waabasta
Aadmi ke daaman se zindagi hai waabasta
Us se tum nahi darte ho (2)
Ankahi se darte ho
Jo abhi nahi aayi
Us gharri ki aamad ki
Aagahi se darte ho
Tum abhi se darte ho
Pehle bhi to guzre hain (2)
Daur na rassai ke
Be-riya khudaai ke
Phir bhi yeh samajhte ho (2)
Hech aarzumandi
Yeh shab e zubaan bandi
Hai rah e khudaawandi
Tum yehi samajhte ho
Tum mager yeh kya jaano
Lab agar nahi hilte
Haath jaag uthte hain
Haath bol uthte hain
Subh ki azaan ban kar
Roshni se darte ho
Roshni to tum bhi ho
Roshni to hum bhi hain
Tum abhi se darte ho
Raah- e- shauq mein jaise
rahru ka khoon lapke
Ek nayaa junoon lapke
Aadmi chhalak uthe
Aadmi hanse dekho
shaher phir base dekho
Tum abhi se darte ho (4)
ZINDAGI SE DARTE HO-THE SECOND COMING
Afraid of Life, are you
You too are life
We too are life
Afraid of Man, are you
You too are human
We too are human
Afraid already are you
Man is speech
Man is expression too
To the iron bond
Uniting utterance and meaning
Man is joined
Tied to his sleeves is Life
Not afraid of that
Afraid of the unsaid
Afraid of the moment
That has not yet arrived
Afraid of the awareness
Of the coming of that moment
Afraid already
We have seen the times
Before
Of inaccessibility
Of guileless divinity
And yet you believe
To desire is worthless
This night of silenced tongues
Is the path
To divinity
How will you know though
That if lips don’t move
Hands begin to stir
Hands begin to call
Like the Azan at dawn
Afraid of Light
You too are light
We too are light
Afraid of light
As in the journey of love
The traveler’s blood soars
A new passion leaps
Man boils over
Man laughs, look
The city is reborn
Afraid already
-Translated by Mahmood Farooqui with inputs from SR Faruqi
-
Wednesday, July 21, 2010
Monday, July 05, 2010
Budding Dastango Ankit Chaddha's Thoughts on Dastangoi
Dastangoi: There is no end to believing
It is quite strange how such an evident characteristic of storytelling never struck me before. But then, I did not have an experience with dastangoi. During a workshop conducted by Mahmood Farooqui and Danish Hussain, one of the fundamental truths was realized – what you believe is what you see.
What is Dastangoi?
The word ‘Dastangoi’ is the amalgamation of Persian words for epic (Dastan) and telling (goi). These dastans, coming from an oral tradition, were medieval romantic tales full of magic, adventure and warfare that were recited aloud for audience.
Dastangoi: Don’t Stop Believing
“Yahaan wahi hai jo aitbaar kiya,” says Mahmood. If a dastango (the storyteller) can make the audience believe in everything that he creates, then all of it is happening. When his performance makes things/events look plausible, the storyteller is no longer questioned on the basis of facts.
Dastangoi: Because there is no end
Recently, I was telling one of the episodes from Dastan-e-Amir Hamza to a six year old girl. She was listening to each and every word very carefully. As the episode ended, I told her how that part of the story was over. She asked, “So, does the story end?” “No,” I replied, “stories never end.” She smiled and said, “Yes, that’s the way it should be. Stories are not supposed to have an ending. Continue.” And then, I moved on to the next episode. Here is hoping that the story of dastangoi continues.
It is quite strange how such an evident characteristic of storytelling never struck me before. But then, I did not have an experience with dastangoi. During a workshop conducted by Mahmood Farooqui and Danish Hussain, one of the fundamental truths was realized – what you believe is what you see.
What is Dastangoi?
The word ‘Dastangoi’ is the amalgamation of Persian words for epic (Dastan) and telling (goi). These dastans, coming from an oral tradition, were medieval romantic tales full of magic, adventure and warfare that were recited aloud for audience.
Dastangoi: Don’t Stop Believing
“Yahaan wahi hai jo aitbaar kiya,” says Mahmood. If a dastango (the storyteller) can make the audience believe in everything that he creates, then all of it is happening. When his performance makes things/events look plausible, the storyteller is no longer questioned on the basis of facts.
Dastangoi: Because there is no end
Recently, I was telling one of the episodes from Dastan-e-Amir Hamza to a six year old girl. She was listening to each and every word very carefully. As the episode ended, I told her how that part of the story was over. She asked, “So, does the story end?” “No,” I replied, “stories never end.” She smiled and said, “Yes, that’s the way it should be. Stories are not supposed to have an ending. Continue.” And then, I moved on to the next episode. Here is hoping that the story of dastangoi continues.
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